Thursday, 11 December 2014

INITIAL LIGHTING EXPERIMENTS

So I have had a couple of days with not really much to do so I have begun trying to discover how I will get about creating a Nicolas Winding-Refn inspired piece of work. So I decided to see what lighting effects I could create with what I have. I used my laptop, a torch and my phone to create lighting effects, I made use of a green tinted glass bottle, as well as a purple camera filter I have, and a tube for badminton shuttlecocks.

I was really thinking about the practical effects that I could use for no budget.

I have to say it was a little more successful than I expected for my first try and considering what I had at my disposal. I edited some footage together to try and make an atmospheric piece much like Refn's film Only God Forgives.

Here is the short clip:

The Door from Alexander Barker on Vimeo.

Monday, 8 December 2014

DIRECTOR OF CHOICE: UNIT 2 DIRECTIONS

Nicolas Winding-Refn










Work

  • Pusher Trilogy (1996-2005)
  • Fear x (2003)
  • Bronson (2008)
  • Valhalla Rising (2009)
  • Drive (2011)
  • Only God Forgives (2013)
Also Directed 2 episodes of Agatha Christie's Marple
and an advert for Gucci

From Only God Forgives





Larry Smith DoP: 
  • Only God Forgives
  • Fear X
  • Bronson


From Bronson


                       
                                  From Pusher (I)


From Drive

Stylistic and Narrative

  • I wouldn't say he tells stories as such
  • fairly slow paced
  • Use of symmetry
  • Artificial lighting
  • Use of Track/Dolly
  • Gratuitous violence when necessary 
  • Strong singular physical performance (Male)
  • Sound Design
  • Moody/Atmospheric music with composers:
    • Cliff Martinez
    • Johnny Jewel
    • Brian Eno
    • Dean Landon
    • J. Peter Shwalm

Why choose him?

Because he is mad and so therefore taking on the challenge is mad, but thats what challenges are for. He is just one of the most fascinating directors out there for me. I have a very visual mind and this is maybe why I find something great about his work, is sometimes the story takes a hit so that the visual element gets a leg up. Realistically I think he will be more of a challenge than Cuaron would have been, simply because of the lighting and tracks I would have to use to emulate the man.

Lets Go!!

Saturday, 6 December 2014

LAST 2

This is really difficult:

I have gotten rid of Adam Wingard simply because, I may love his work in The Guest (2014) and You're Next (2011), but he is essentially still a fairly fledgling director who doesn't have enough of a trademark style to use.

So it is down to 2 Directors:


Alfonso Cuaron                                 and                                  Nicolas Winding-Refn


This is so difficult! I would ideally love to use inspiration from both, however they are very distinct from each other. Also the rules are to choose one director. 

Cuaron is a well established director with quite a few pieces of work from which to understand a style and trademark of his. My trouble at the moment with using Cuaron is that it would be a challenge for whoever is my DoP (Probably Plamen as we have chatted about it already) as it would require doing long takes using the fig rig. Realistically this is something I am thinking that I maybe want to save for myself to do in the realms of cinematography. 
I had an idea that I could do one of Cuaron's long takes with a fig rig and myself on rollerblades, however Plamen informs me he is not too adept. This is the reason I would possibly like to save this for myself to attempt, but I think I will get the opinion of my tutor first.

This clip from Y Tu Mama Tambien shows Cuaron's bold use of the camera, the way he will follow an actor instead of using cuts as often as other directors might.




Winding-Refn is currently one of my favourite directors due to his amazingly stylised shots used especially in a night time setting. He is a Director that uses tracks a lot moving the camera slowly most of the time. One thing that really stands out for me is the use of music and sound in his movies, he uses moody, dark and sometimes terrifying music (recently teaming up with Cliff Martinez) as well as harsh and from time to time unrealistic to the situation sound design. So if I am to do Refn I will have to focus on sound and lighting as something important of his style.

I think this clip perfectly epitomises Refn's use of lighting as well as music to create a mood in his films. Also on another note Refn's films have a lot of gratuitous violence in them as demonstrated here.
I have to mention as well especially in this film his stories are a bit confusing and don't really make sense, but they are visual journeys.

  


FINALLY DECIDED


Possibly made this a bit more difficult than it should have been, but I have finally come to a decision. I thought I would get a couple of opinions about my last 2 and so after the advice to pick Alfonso Cuaron, I decided to ignore that and choose Nicolas Winding-Refn.

Friday, 5 December 2014

STILL DECIDING + LATE ENTRANT

Last Three

Alfonso Cuaron:

  • Tracking shots
  • Steadicam
  • Realism

Nicolas Winding-Refn:

  • Moody and ambiguos characters
  • Use of artificial lighting
  • Graphic violence 
  • tough subjects
Late Entrant

Adam Wingard:

  • Outside of the studio atmosphere
  • Home invasion (Sub-Genre)
  • Stylistic Aesthetics
  • Unvarnished 
  • Hand-Held Docu-lensing
  • Playing with the horror genre in an almost comical parodic manner

Wednesday, 3 December 2014

DECIDING ON A DIRECTOR

SHORT LIST:


  • Nicolas Winding-Refn
  • House of Cards (House Style)
  • Wes Anderson
  • Dan Gilroy
  • Alfonso Cuaron
  • Adam Wingard
Last 3:

Nicolas Winding-Refn

    • Incredibly Stylised 
    • Artificial lighting
    • Often shot at night
Alfonso Cuaron

    • Tracking/Long Shots
    • Movement of the character and the camera together
    • Wide camera angles
    • Hand-Held shots
    • Emmanuel Lubezki regular cinematographer with Cuaron
Wes Anderson

    • Symmetry 
    • Vibrant Colours
    • Eccentric Characters




Tuesday, 2 December 2014

DIRECTIONS UNIT DAY 2

I have to say I did not do the best job today in terms of getting the right coverage. This is something obviously as a director I will have to work on, as well as the fact that I spend too much time behind the camera making sure the shot is lined up properly.

With this exercise of filming a scenario provided in the morning brief, I channeled two of the directors I have been thinking about in the last 24hours: Wes Anderson and Alfonso Cuaron, however I think the former should get more credit in this one.

The main issue for me today was time, especially on the editing. I didn't have much time to change and adjust elements of the clip that will have been more effective. I had to leave enough time for export and upload, and this put more pressure on me to finish in time.

However this was a learning exercise and I will know to be prepared for when I begin shooting.

The end result: